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  • 31 Days of Horror – Day Nineteen – Creepshow 2 (1987)

    What’s the deal with this Creepshow 2? It’s not the one we wanted to talk about, but hell, let’s do it!

    Creepshow 2! 

    Movie Details:

    • Release Date: 1987
    • “Run”time: 1 hour and 32 minutes
    • Where to watch it: Streaming
    • Directed by: Michael Gornick
    • Written by: Stephen King, George A. Romero, and Lucille Fletcher
    • Starring:
      • George Kennedy
      • Lois Chiles
      • Domenick John
      • Holt McCallany

    Synopsis: The Creep again brings you three tales of terror (hopefully) in this anthology horror sequel!

    Open Stab Wounds (out of 10): 5.5

    Review: This month, we’ve gone through slashers, revenge movies, haunted houses, and torture porn. I think Kevin will agree that this month has been a real joy, experiencing all these different stories, to varying levels of enjoyment. In a certain way, this month has been one long collected anthology of stories that represent our love of horror, culminating in the end to the Halloween season. There’s an obvious reason why I shoehorned a ham-fisted reference to anthologies here: I love anthology horror. 

    From the Twilight Zone to Tales from the Crypt, I’ve always been a fan of smaller stories told in a larger package. With anthologies there will always be stories that are more enjoyed than others, and that lets the viewer better define their preferences. 

    For today’s film, we were originally going to cover the original Creepshow, but unfortunately, I couldn’t find it on ANY streaming service (without renting it). However, Creepshow 2 was readily available on Shudder. For me, Creepshow 2 serves the same talking points I wanted to address with the original anyway, so I was down.

    The original Creepshow, co-created by George Romero and Stephen King, was an early introduction to the idea of anthology horror. The comic book aesthetic, reminiscent of classic EC comics, appealed to young teen Brandon. The reaction shots, hyper realistic uses of color, the comic book framing were all cool additions… They were a kind of reminder that this is all just a story, no need to fear.

    It wasn’t until many years later that I realized there was a direct sequel. This time Romero forwent director duties but holding on to writing credits along with Stephen King. Whereas Creepshow offered five tales of terror, Creepshow 2 opted for three standalone stories, introduced to us by our host, the Creep (Tom Savini).

    The first story, “Old Chief Wood’nhead” is about a man and wife shop owner in a small Arizona town, who are tormented by teens wanting to get famous. When things go south, the teens get their comeuppance by way of Old Chief Wood’nhead, the Native American statue from in front of the store. This is our intro story, and it drags a little. George Kennedy as the shop owner is sufficiently empathetic and kind. Holt McCallany as the leader of the vicious teens is hammy and unhinged (and loves his hair). The revenge Chief gets on the teens is fun when it finally happens, turning the horror into a karmic horror that EC and Creepshow are known for.

    The second story is an adaptation of “The Raft”, a Stephen King story from his anthology novel, “Skeleton Crew”. I remember reading the story and being scared as hell of lakes (I think lakes are creepy as hell anyway). The movie follows along closely to the short story: four college kids swim out to a raft in the middle of a lake and are terrorized by a blob-like oil slick on top of the water. A big part of the scares here are about isolation and the impending doom of hypothermia or death by blob. The blob itself looks like a trash bag on the water, but when the flesh-eating effects start, it becomes more effective. 

    The final story is a straightforward story about a woman killing a hitchhiker in a hit and run and being terrorized by the apparition. This tale is appropriately titled, “The Hitchhiker”. Of all the stories, this one comes the closest to being scary. As a Twilight Zone fan, the short reminded me of the classic episode, “The Hitchhiker”, though the supernatural twists are obviously different.     

    All three of the stories are wrapped in an animated tale of a boy getting back at his bullies. The animation isn’t great, but it is fun to watch the karmic comeuppance happen in lieu of a higher special FX budget. 

    As far as where this movie sits on the scale, it’s no Creepshow. Although I do enjoy watching it, it took me multiple views to appreciate it for what it is. For Creepshow sequels, I tend to consider the spiritual sequel Tales from the Darkside: The Movie a far superior movie. In fact, one of the stories included in TftD was “The Cat” which was originally meant to be in Creepshow 2 but was cut because of budget constraints. 

    Though yes, I do like this movie, I must be honest with its rating. I LOVE anthology horror and I am inclined to like this one, but if this was anyone’s first foray into this genre, they might be turned off. But like this month of horror films, if we collected all the anthology horror films out there together, someone might like this better than, say, the abomination that is Creepshow 3. Anthologies help us refine our likes and dislikes and ultimately our preference for the types of stories we consume.

    KEVIN’S THOUGHTS: I didn’t like Creepshow 2 as much as the original. Aside from The Raft, I felt the stories were not as well done. This is just another example of a sequel that does not build upon or live up to the original.

    Open Stab Wounds (out of 10): 5 (If not for The Raft, it’d be a 3)


    Thanks for reading and watching along with us! Be sure to keep up with all 31 days of our Halloween Horror Film coverage! 
    Oh, and make sure to follow Brandon on Twitter @BarnyardCruz and Kevin @Solucid

  • 31 Days of Horror – Day Eighteen – He Never Died (2015)

    Henry Rollins comes in with a horror showing today for our day 18, He Never Died

    He Never Died! 

    Movie Details:

    • Release Date: 2015
    • “Run”time: 1 hour 39 minutes
    • Where to watch it: Streaming
    • Directed by: Jason Krawczyk
    • Written by: Jason Krawczyk
    • Starring:
      • Henry Rollins
      • Booboo Stewart
      • Kate Greenhouse

    Synopsis: A man who tries to keep to himself is confronted with his past, the mob, and the 19 year old daughter he didn’t know about.

    Open Stab Wounds (out of 10): 7

    Review: I really like Henry Rollins. I figured listening to Black Flag while I write this would be the most fitting. I’ve had the opportunity to go see his current speaking tour and I highly recommend going to that if you get the chance. The first movie I remember seeing him in was Johnny Mnemonic in the mid nineties; I love that film and I loved his character. Needless to say, I’m a fan. He’s stayed very busy over the years and one of those projects was tonight’s movie. Tonight we watched He Never Died.

    He Never Died tells the story of Jack (Henry Rollins), a loner who tries to keep to himself, pass the time with bingo and sleep, and enjoys the local diner on a daily basis. You can tell he has a past, but he is definitely a man of few words and does not share. We’re introduced to some local thugs that want Jack to go see their boss, we’re introduced to Jack’s daughter Andrea (Jordan Todosey), and we meet Cara (Kate Greenhouse), his normal waitress at the diner.

    The movie is not really a slow burn, but it does take its time with the story. I don’t necessarily think this was a bad thing, but I might have just been enjoying another Rollins role. We find out that Andrea is there to meet Jack for the first time and an interesting relationship dynamic starts between them. The goons keep coming after him and he fends them off with what you can tell is an unbridled rage that he seems to have inside him. During these moments of rage we start to see that Jack is definitely not normal. He shakes off punches, stabbings, and bullets like they are nothing.

    The relationship between Jack and Andrea is tested when she is kidnapped by the thugs. This leads Jack down some interesting paths and, I think, to the ultimate point of the movie. More is learned about Jack and who/what he truly is. Cara is roped into the whole ordeal and is almost forced to help him in Andrea’s rescue, acting as a voice of reason to Jack. 

    All these different pieces start to add up, until we reach a mixture of a turning point and a conclusion. We’re left with an ending that leaves it up to the view to speculate on. Did something change with Jack? What is up with Andrea seeing the guy in the diner? Who was the man in the diner and why did he keep showing up? Was this movie good or do I just love Henry Rollins?

    I did enjoy the film. I can’t say the acting was stellar, but it was better than some of the other films we’ve watched. The fact that they did a story with biblical leanings without making it a religious film was something I really appreciated. The fighting was enjoyable and the practical effects, limited as they were, were well done.

    If I had to look at this film from a critics standpoint, it probably wouldn’t rate very high, but fuck critics. It had Henry Rollins and he fucking rocks! Give it a watch if you’ve got nothing better to do and even more so if you’re a fan.


    Thanks for reading and watching along with us! Be sure to keep up with all 31 days of our Halloween Horror Film coverage! 

    Oh, and make sure to follow Brandon on Twitter @BarnyardCruz and Kevin @Solucid!  

  • 31 Days of Horror – Day Seventeen – His House (2020)

    Today Brandon gets the pleasure of talking about a film he missed in 2020, His House!

    His House! 

    Movie Details:

    • Release Date: 2020
    • “Run”time: 1 hour 33 minutes
    • Where to watch it: Streaming
    • Directed by: Remi Weekes
    • Written by: Remi Weekes
    • Starring:
      • Sope Dirisu
      • Wunmi Mosaku
      • Malaika Wakoli-Abigaba
      • Matt Smith

    Synopsis: Sudan refugees are haunted by their past, the British government, and their new home.

    Open Stab Wounds (out of 10): 10

    Review: His House is our first haunted house movie this month, which I’m kind of shocked by. There are so many haunted house films to fill up on. For some reason though, the idea of another haunted house movie in my life isn’t very interesting (although I can always use The Changeling in my life). I came into the film with a hesitant bias for what I expected from this one. I’m happy to admit that I was wrong to come in so close-minded. 

    From the start, His House introduces us to a few different worlds that my Americanized, suburban self wasn’t used to. We meet Bol (Sope Dirisu) and his wife Rial (Wunmi Mosaku) along with their daughter Nyagak (Malaika Wakoli-Abigaba) as ocean-bound refugees trying to escape Sudan. After what seems to be tragedy, we shift scenes to Bol and Rial in a detainment center. There they are given the good news that the British government will provide them a home and a paycheck for 6 months. They are told that they must report in and must be on their best behavior otherwise they’ll go back into detainment.

    This immediately sets up an external pressure for them to have to stay in the house. All horror genres have their specific tropes: the cell phone is dead, they ran out of gas, etc. Haunted House films must come up with a reason for why the family can’t run away from the ghosts. What makes His House’s trope unique is that it is not a supernatural bit of tension to keep Bol and Rial in the home. They *want* to live there, and if they want to stay there, they must adjust to the ghosts; otherwise, the British government will kick them out. 

    In pretty short order, Bol and Rial start to experience ghosts in the house. Why the ghosts are there and how the film is resolved is one of the things I liked the most about the movie. As has been standard for us, we’re avoiding spoilers, but I’ll say that the supernatural aspects were very effective. The way certain scenes were shot, both from a framing and a lighting perspective, made the appearance of the ghosts extra creepy. It’s not often I get chills watching a movie anymore, but I’ll be damned if I didn’t get goosebumps more than once.

    One of the things I liked most about His House is that it wasn’t a story I’d seen before. One of the great things about horror (which I’ve talked about before) is that it gives creators a chance to explore stories from their unique perspectives. His House tells us a story about Sudan refugees and the horrors they faced and continue to face in a new country. Bol and Rial escape terror and must adjust to a new version of it. Their story is haunting, it’s sad, and it’s told through the context of trying to start fresh… that’s even before we take the supernatural into account. 

    Of all the movies we’ve talked about so far this month, I think this might be the one I want to sit down with and pull apart. It challenges my experiences, assumptions, and perceptions. I hope I’m not alone with recognizing how good a film it is.   

    KEVIN’S THOUGHTS:

    Watching the trailer for this I figured it was going to be a decent ghost story. I was not expecting a deep commentary on tragedy, loss, escaping poor situations, and adapting to new surroundings. I was expecting to enjoy this film, but I was not expecting how much I’d enjoy it. The acting, cinematography, and creature effects were all fantastic. The performances by Sope Dirisu and Wunmi Mosaku really brought you into the story. If you’re looking for a great ghost story or just for something a little different, I highly recommend this one.

    9 out of 10


    Thanks for reading and watching along with us! Be sure to keep up with all 31 days of our Halloween Horror Film coverage! 

    Oh, and make sure to follow Brandon on Twitter @BarnyardCruz and Kevin @Solucid!  

  • 31 Days of Horror – Day Sixteen – Day Shift (2022)

    We need some bureaucratic vampire movies to balance out the middle of our horror month, and take on Day Shift!

    Day Shift! 

    Movie Details:

    • Release Date: 2022
    • “Run”time: 1 hour 53 minutes
    • Where to watch it: Streaming
    • Directed by:  J.J. Perry
    • Written by:  Tyler Tice and Shay Hatten
    • Starring:
      • Jamie Foxx
      • Dave Franco
      • Natasha Liu Bordizzo

    Synopsis: A vampire hunter was kicked out of the union. He’s given one more chance to be a union man and save his family.

    Open Stab Wounds (out of 10): 6

    Review: Brandon and I were talking about our appreciation of film the other day. The topic led to two ends of the spectrum: on one side, Popcorn movies, which are those that you can sit down, turn your brain off, and just enjoy what they are.  On the other hand, well-made cinema, the films that keep continuity throughout sequels, have well written dialogue and stories, and they suck you into the world being displayed. Both ends have their enjoyable qualities and can be appreciated for what they are. I think today’s film falls in the former category. Today we watched Day Shift.

    The film opens on Bud (Jamie Foxx), a pool cleaner busy with work, but it quickly establishes that this is just a cover. Bud is using his pool cleaner persona as a cover for his real gig as a vampire hunter. He makes short work of a couple of vampires and pulls their teeth to go hock them at a pawn shop. Apparently, in this world, vampire hunting is a unionized business and those not in the union need to sell their fangs to pawn shops and the like. Unionized or not, the rest of the normal world isn’t in on the secret.

    Bud does not get the money he expected and we find out that he’s fallen on hard times. Jocelyn (Meagan Good), his ex-wife, is saying that she is thinking about moving to Florida and taking their daughter Paige (Zion Broadnax) with him. He needs to come up with $10k in a week or he won’t be able to afford Paige’s school tuition and braces, which are apparently the deciding factors on them going to FL. It’s a silly premise, but that is the main plot.

    In order to earn that kind of money, Bud needs to get back into the union. He calls in a favor to a wartime brother-in-arms Big John Elliot (Snoop Dogg), who is now a bigshot in the vampire hunting world, who everybody seems to love. Big John convinces the union boss to give Bud one last chance (he’s violated union codes over and over, and lost his membership). Not wanting to really give him a chance he assigns a union representative to make sure he follows the rules; this brings in Seth (Dave Franco), a bookworm who just wants to work a desk job and not be in the field.

    Predictable hijinks ensue, vampires are slaughtered, and the big baddie has a master plan. If you want spoilers, shoot me a message, but I’m not going to ruin it for all.

    From the opening scenes, I could already tell that this was a “throw popcorn at the screen and laugh,” type of movie. With that in mind I think I just let my brain shut down and enjoyed it. The practical and visual effects were ok, but not spectacular. Jamie Foxx is a stellar actor and it felt like the rest of the cast was just kinda tagging along with his charisma. There were some chuckle worthy jokes, but nothing that will give you a big belly laugh.

    This movie was probably what you’d get if the movies Lethal Weapon and Blade had an illegitimate child. Sure, there might have been okay parts from them, but it doesn’t live up to either. If you’re looking for something to just pass the time, I recommend this, but if you are bothered by plot holes, lazy writing, and mediocre acting, you might want to pass on this one.

    BRANDON’S THOUGHTS: On the subject of popcorn vs. well-made films… I’m not a fan of this one. I rolled my eyes once too many times, haha. HOWEVER, the brothers from Glendale were amazing and I would’ve loved a film that focused more on them. In some world, they are the main characters in a turn my brain off popcorn flick. They made it John Wick in Vampire Land. They were cool.

    I’m a little stubborn about this one, but I give it 5.5


    Thanks for reading and watching along with us! Be sure to keep up with all 31 days of our Halloween Horror Film coverage! 
    Oh, and make sure to follow Brandon on Twitter @BarnyardCruz and Kevin @Solucid

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